Say hello to Kait. That's right, a new member to the Peel team joining us all the way from Hong Kong. And guess what? She has a STELLAR taste in music. Just read/listen below and check back for more of her posts, aight?!

The Child of Lov (yep, no 'e') is an artist shrouded in mystery. Hailing from the Netherlands, he specializes in soul, with a fixation with the US state of Georgia and pineapples. While retaining much obscurity around his persona, he's still managed to somehow rope Damon Albarn (Thundercat and DOOM) into featuring on his forthcoming self-titled debut, dropping in May of this year. His sound is extremely funky, with a kaleidoscope of auditory influences all being sequenced together to make RnB with a spacy, ''intergalactic'' vibe. 

Fly is a big-sounding, futuristic soul track that, although may sound odd in theory, is strangely addictive in a way that only pop music can achieve. Perhaps it's something to do with the repetitive lyrics, the gospel-esque harmonizing, or the punchy brass that the song is simply stuffed with. Many (including myself) are fidgeting with anticipation as to what he's going to come out with next. Dig it? Listen to more of his greatness (w/ Albarn below on 'Heal'). The Child of Lov is out May 7.

Desire is such a strong word, and an equally strong track for London trio Dems. The music is a heavy dose of R&B mixed with some blinking hi-hats and fancy percussion (maybe a sprinkle of the XX in there as well). The feeling is an incredible wave of passion and emotion. And that fire doesn't stop short with this track, as 'Christabel' carries the torch of blissful electro-pop with it's lush melodies. 

We've read that Dan Moss is the mastermind behind the music, but he is also joined by Dave and Duncan to make all that beautiful noise blend together. Give it a listen and wash away in the sprawling soundscapes. 

It amazes me these guys are still in 'demo stage.' That is, both of the explosively vibrant tracks below are not 'official' cuts released from IYES -- a fresh indie-electro duo (Josh Christopher and Melisa Soyaslanova) from Brighton.

You'll hear a bit of The XX in 'Lighthouse' with the bare guitar, echoing reverb and the haunting, yet beautiful vocals of Soyaslanova. But the track unravels full force with an atmospheric build, filling with synths and Christopher's vocals, bringing a level of drama hard for most to create, yet lovely for most to digest. And just after a few listens of the two demos, you'll start to hear an energy that is sure to reveal a signature element of IYES. I'm purposely leaving this post vague, but noting there's something kind of magical here. Keep your eye on them. You were expecting me to say '...IYES on them,' weren't you?

Ladies and germs, the Clash are back...Strummer is ALIVE! Alright, fine I'm kidding, this isn't a Tupac flipping burgers in Jamaica style rumor. But this new band, Casual Sex (great name), is probably the closest thing I've heard to the glory days of The Clash in a long time. The sneaky bass lines, the punched-in-the-mouth lazy vocals, the fierce confidence of the overall music.  It's fucking brilliant. There's even a little Gang Of Four, crass guitarness in here. Take a listen below.

Now the challenge of this band, like most today, is searching for them. Just don't type "casual sex" into Facebook, Google, Sound cloud, or any search engine while at work. Luckily, we're here for you.  'Like' the hell out of them here, and for all you twatters, click here. The quick and dirty is there a couple of dudes (Sam, Ed, Pete, Chris) rocking out some great sleaze rock with a sound that's probably much older than their ages combined. They release their first single on April 1 through Moshi Moshi. That's all you really need for now, so enjoy their tunes over some fine brews this weekend.

Sometimes I find myself sitting on news/artists because I want to find the right time to give them the justice they deserve, and not rush it. But I'm sure you're familiar with the potential fault in doing so. So rather then deprive everyone from a song/artist that will surely speak for itself, feast your ears on Phantom's 'Kisses.' If you haven't caught them on the GuardianFader, or various other outlets by now, get on them.  They've got nice a mixture of dark electro pop intertwined with some captivating melodic highlights. Listen to the finish of the track so hear what angels sound like. They've been on our radar for a bit now, and we'll make sure they stay on yours too.

Phantom
Home Town: Helsinki 
Members: Hanna Toivonen (vocals/songwriting); DJ Tommi Koskinen (producer/sound designer)
Music: Angels swimming in the dark waters of electro-future pop
A bit likeMt. WolfDaughterNeon Faith
Standout: 'Kisses' and live show/visual performances 

EP: Scars

Video: 'Kisses'

'Please have something special,' croons Sandra Lawson-Ndu over Bell Atlas' new Afro-Indie Soul mix, 'Video Star.' And special is exactly what this track is. First Yadi, and now Bells...we're being blessed with some great roots music.

Their first 'release' is filled with hints of African percussion and rhythms, sultry-smooth vocals and the slither of South Asian sounding strings and hums. It's a beautiful blend of styles that are truly captivating. The group consists of four very eclectic members, including Nigerian-American artist Sandra (lead vocals), Doug Stuart (soul-jazz bassist/vocalist), Derek Barber (guitarist) and Geneva Harrison (percussion/vibraphone, vocals). Based out of Oakland, CA, Bells are quickly refining their Hip-Hop, R&B, Jazz, Soul, Afro style music. 

Regardless of the little amount out there, I think this group deserve a bit of attention as I'm hearing a ton of potential here. Case in point, watch the video below of a cover of Future Island's 'Little Dreamer.' What seams a bit slow and thin at first, slowly builds to a beautiful harmony of vocal layering, smooth bass and highlife guitars mixing perfectly. If more up and coming music is rooted in such great style, I'm all open arms and ears.

When you think of artists blending pop with African sounds you might think of Paul Simon, or Vampire Weekend. Yadi brings us into a whole new space on her latest track, 'Unbreakable' (Download here!). She teams up with Baaba Maal and The Very Best, who you might know from their track, 'Warm Heart of Africa' which featured Ezra Koenig. Maal's Senegalese roots add a warmth of North African drum beats and backdrops. Combine that with the house-like sound of the experiemental electronic rythm and you've got the recipe for a killer track that stands out amidst the pop landscape.

Consider this another mini-spotlight, but a feature well deserved, nonetheless. Cry Guy is a new electro-pop project made up of Cameron Potter (Little Spoon) and his friend Virginia, based out of Boston, MA (hello, MVSCLES). I came across them the other day on NFOP and was taken back by the beauty and softness of 'Gumdrop Wishes.' But was even more shocked when I read Cameron's name, as he's a good friend of my brother. Seeing as the project is rather fresh, I've heard little from them, but countless respect about Cam as musician and all-around-good-dude. Give a listen below and I'm sure you'll agree there's a lot of talent here.

'Gumdrop Wishes' has a triumphant ring to it, pulling you in with its rich piano chords, mesmerizing vocal layering/harmonies and some intricately ambient textures -- signature of Cam (as you'll hear in his Little Spoon work). 'Sexcess,' as the title suggests, is a bit more playful in the POP realm. Filled with vibrant synths and a more upbeat tempo, the melodies will have you whistling throughout the day.

Cameron is quite active in the scene, with his constant touring or coming up with some pretty cool projects like the improvisational Midnight Tapes. Hopefully we can catch him on a break soon to catch up with the man himself. Stay tuned.

Hat tip to a coworker of mine for bringing this band to my attention, something I'm sad I missed in 2012. Better late than never, though, and so we place a spotlight on the Cleveland band, The Lighthouse and the Whaler. Their name was inspired by a theme from Moby Dick, but it triggered in me another band who also shares a very similar sound, Freelance Whales. Both packed with lush melodies intertwined in their indie-folk-pop mixture.  Like FW’s first release (Weathervanes), The Lighthouse and the Whaler’s latest album, This is an Adventure, is filled with organic instruments ranging from whurlitzers, bells, guitars, marching drums and various noises capturing the essence of friends making youthful pop.

Check out more on the band after the break.

For some musicians, even if talent is innately rooted in their minds, it takes a lot of work or experimentation to form their 'right' sound. And others, well they just require a bump on the ol' noggin and a prodigy is born. As interesting as those latter 'acquired savants' are, I'm more intrigued by the former hard workers, and the ones who aren't ready to give up their music until they know it's the right time. And I'm not talking about the phony JT versions, no I'm talking about artists like Mackenzie Scott, soon to be known as her moniker Torres.

With just two tracks out let's consider this a mini-spotlight, a candle flicker revealing an artist that has some serious potential. Scott is from the Music City (Nashville) and it wasn't until last year when her family helped her pick up a Gibson 335 until she 'found the sound she was looking for.' Plugging in that semi-hollow body beauty, she cranked out her first cut called 'Honey,' taking her acoustic folk to a grittier rock. The track builds and plays off her raw energy, something you rarely hear these days but is reminiscent of certain greats like PJ Harvey (think To Bring You My Love). There's also a bit of Wye Oak in there, which you may hear in her haunting second cut, 'Mother Earth, Father God.' 

I'm glad she found that electric guitar, and you'll probably be glad you found her. Debut album is out January 22 (pre-order via Big Cartel), and may just be a gem of this year

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